Ilicet



THERE is an end of joy and sorrow;
Peace all day long, all night, all morrow,
But never a time to laugh or weep.
The end is come of pleasant places,
The end of tender words and faces,
The end of all, the poppied sleep.

No place for sound within their hearing,
No room to hope, no time for fearing,
No lips to laugh, no lids for tears.
The old years have run out all their measure;
No chance of pain, no chance of pleasure,
No fragment of the broken years.

Outside of all the worlds and ages,
There where the fool is as the sage is,
There where the slayer is clean of blood,
No end, no passage, no beginning,
There where the sinner leaves off sinning,
There where the good man is not good.

There is not one thing with another,
But Evil saith to Good: My brother,
My brother, I am one with thee:
They shall not strive nor cry for ever:
No man shall choose between them: never
Shall this thing end and that thing be.

Wind wherein seas and stars are shaken
Shall shake them, and they shall not waken;
None that has lain down shall arise;
The stones are sealed across their places;
One shadow is shed on all their faces,
One blindness cast on all their eyes.

Sleep, is it sleep perchance that covers
Each face, as each face were his lover’s?
Farewell; as men that sleep fare well.
The grave’s mouth laughs unto derision
Desire and dread and dream and vision,
Delight of heaven and sorrow of hell.

No soul shall tell nor lip shall number
The names and tribes of you that slumber;
No memory, no memorial.
“Thou knowest”—who shall say thou knowest?
There is none highest and none lowest:
An end, an end, an end of all.

Good night, good sleep, good rest from sorrow
To these that shall not have good morrow;
The gods be gentle to all these.
Nay, if death be not, how shall they be?
Nay, is there help in heaven? it may be
All things and lords of things shall cease.

The stooped urn, filling, dips and flashes;
The bronzèd brims are deep in ashes;
The pale old lips of death are fed.
Shall this dust gather flesh hereafter?
Shall one shed tears or fall to laughter,
At sight of all these poor old dead?

Nay, as thou wilt; these know not of it;
Thine eyes’ strong weeping shall not profit,
Thy laughter shall not give thee ease;
Cry aloud, spare not, cease not crying,
Sigh, till thou cleave thy sides with sighing,
Thou shalt not raise up one of these.

Burnt spices flash, and burnt wine hisses,
The breathing flame’s mouth curls and kisses
The small dried rows of frankincense;
All round the sad red blossoms smoulder,
Flowers coloured like the fire, but colder,
In sign of sweet things taken hence;

Yea, for their sake and in death’s favour
Things of sweet shape and of sweet savour
We yield them, spice and flower and wine;
Yea, costlier things than wine or spices,
Whereof none knoweth how great the price is,
And fruit that comes not of the vine.

From boy’s pierced throat and girl’s pierced bosom
Drips, reddening round the blood-red blossom,
The slow delicious bright soft blood,
Bathing the spices and the pyre,
Bathing the flowers and fallen fire,
Bathing the blossom by the bud.

Roses whose lips the flame has deadened
Drink till the lapping leaves are reddened
And warm wet inner petals weep;
The flower whereof sick sleep gets leisure,
Barren of balm and purple pleasure,
Fumes with no native steam of sleep.

Why will ye weep? what do ye weeping?
For waking folk and people sleeping,
And sands that fill and sands that fall,
The days rose-red, the poppied hours,
Blood, wine, and spice and fire and flowers,
There is one end of one and all.

Shall such an one lend love or borrow?
Shall these be sorry for thy sorrow?
Shall these give thanks for words or breath?
Their hate is as their loving-kindness;
The frontlet of their brows is blindness,
The armlet of their arms is death.

Lo, for no noise or light of thunder
Shall these grave-clothes be rent in sunder;
He that hath taken, shall he give?
He hath rent them: shall he bind together?
He hath bound them: shall he break the tether?
He hath slain them: shall he bid them live?

A little sorrow, a little pleasure,
Fate metes us from the dusty measure
That holds the date of all of us;
We are born with travail and strong crying,
And from the birth-day to the dying
The likeness of our life is thus.

One girds himself to serve another,
Whose father was the dust, whose mother
The little de
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Submitted on May 13, 2011

Modified on April 17, 2023

4:02 min read
131

Quick analysis:

Scheme AABCCB DDXEEX CFGDDX EEHEEH IIJCCJ KKLIIL EEXGXM AANHHX FCOEEO XXNDDN FCPAEP AAQCFQ RRGEEG GGBEEB DDMKKM AASTTS EEXEEX EETDDT EEH
Closest metre Iambic tetrameter
Characters 4,253
Words 806
Stanzas 19
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 3

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the ocean, time, and death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. "Galilean") and Catullus ("To Catullus"). more…

All Algernon Charles Swinburne poems | Algernon Charles Swinburne Books

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    What is the term for the continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
    A A turn
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