Remords Posthume (Posthumous Remorse)

Charles Baudelaire 1821 (Paris) – 1867 (Paris)



Lorsque tu dormiras, ma belle ténébreuse,
Au fond d'un monument construit en marbre noir,
Et lorsque tu n'auras pour alcôve et manoir
Qu'un caveau pluvieux et qu'une fosse creuse;

Quand la pierre, opprimant ta poitrine peureuse
Et tes flancs qu'assouplit un charmant nonchaloir,
Empêchera ton coeur de battre et de vouloir,
Et tes pieds de courir leur course aventureuse,

Le tombeau, confident de mon rêve infini
(Car le tombeau toujours comprendra le poète),
Durant ces grandes nuits d'où le somme est banni,

Te dira: «Que vous sert, courtisane imparfaite,
De n'avoir pas connu ce que pleurent les morts?»
— Et le vers rongera ta peau comme un remords.

--------------------------------- ---------------------------------

Posthumous Remorse

When you will sleep, O dusky beauty mine,
Beneath a monument fashioned of black marble,
When you will have for bedroom and mansion
Only a rain-swept vault and a hollow grave,

When the slab of stone, oppressing your frightened breast
And your flanks now supple with charming nonchalance,
Will keep your heart from beating, from wishing,
And your feet from running their adventurous course,

The tomb, confidant of my infinite dreams
(For the tomb will always understand the poet)
Through those long nights from which all sleep is banned, will say:

'What does it profit you, imperfect courtesan,
Not to have known why the dead weep?'
— And like remorse the worm will gnaw your skin.

Translated by William Aggeler

--------------------------------- ---------------------------------

Posthumous Remorse

When you're asleep, dear shadow-coloured wench,
Within a coal-black, marble monument:
When, for your room and mansion, you are pent
In a wet cellar and a hollow trench:

When the stone, pressing on your startled breast
And flanks in fluent suppleness competing,
Prevents your heart from wishing or from beating,
Your feet from racing on their reckless quest.

The tomb that shares my deathless recollection
(For poets best are understood by tombs)
On those long nights, when never sleep presumes,

Will say, 'What boots, frail vase of imperfection,
Not to have known what pains with death begin?' —
And, like remorse, the worm will gnaw your skin.

Translated by Roy Campbell

--------------------------------- ---------------------------------

Posthumous Remorse

When, O sweet dusky beauty, you shall rest
Deep under a bleak marble monument,
When for last manor yours the tenement
Of rainswept vault or hollow ditch at best,
When the long stone weighs down your frightened breast
And flanks — so supple now and indolent
Choking your heart's beat and your feet's intent
To race again on their adventurous quest,

The tomb, confidant of my endless dreams, shall keep
Vigil through those long nights that know not sleep,
(Poet and tomb were friends since Time began)
Saying: 'What use, imperfect courtesan,
Not to make known what dead men mourn perforce?'
While the worm gnaws you sharply as remorse.

Translated by Jacques LeClercq

--------------------------------- ---------------------------------

Remorse Too Late

My dark and lovely thing, when you at length lie dead,
And sleep beneath a slab of marble black as pitch;
And have, for perfumed alcove and seductive bed,
Only a rainy cavern and a hollow ditch;

When the oppressive stone upon your frightened breast
Lets settle all its weight, and on your supple thighs;
Restrains your heart from beating, flattens it to rest;
Bends down and binds your feet, so roving, so unwise;

The tomb, that knows me well and reads my dream aright,
(What poet but confides his secret to the tomb?)
Will say to you some day during that endless night,

'They fare but ill, vain courtesan, in this cold room,
Who bring here no warm memories of true love to keep!'
— And like remorse the worm will gnaw you in your sleep.

Translated by Edna St. Vincent Millay

--------------------------------- ---------------------------------

Remords posthume

when thou wilt sleep, dark girl of shadowy gaze,
down in the cold black marble of a tomb,
a dripping vault thine only tiring-room,
thine only bed a grave where all decays,

when rock shall press thy paling breast and graze
thy limbs now languorous-lovely in the gloom
shall crush thy faltering heart, thy will consume
and halt thy feet in their adventurous ways,

the Grave, that knows what infinite dreams I keep,
(o Grave, the poet's friend forever, thou!)
all through the night bereft of exiled sleep,

shall ask: 'art sorry, wretched wanton, now,
not to have learned why dead men weep, perforce?'
— and worms shall gnaw thy breast like sharp remorse.

Translated by Lewis Piaget Shanks

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Submitted on May 13, 2011

Modified on March 05, 2023

3:47 min read
83

Quick analysis:

Scheme abba abba cdc daa cecx faga axa chC b ijki fggf caa ccC e fjjffjkf hhccaa x x lili fafa dmx mhh x amma amma hxh caa a
Closest metre Iambic hexameter
Characters 4,571
Words 752
Stanzas 28
Stanza Lengths 4, 4, 3, 3, 4, 4, 3, 3, 1, 4, 4, 3, 3, 1, 8, 6, 1, 1, 4, 4, 3, 3, 1, 4, 4, 3, 3, 1

Charles Baudelaire

Charles Pierre Baudelaire was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. more…

All Charles Baudelaire poems | Charles Baudelaire Books

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