The Way of Wooing



A maiden sat at her window wide,
Pretty enough for a Prince's bride,
Yet nobody came to claim her.
She sat like a beautiful picture there,
With pretty bluebells and roses fair,
And jasmine-leaves to frame her.
And why she sat there nobody knows;
But this she sang as she plucked a rose,
The leaves around her strewing:
"I've time to lose and power to choose;
'T is not so much the gallant who woos,
But the gallant's WAY of wooing!"

A lover came riding by awhile,
A wealthy lover was he, whose smile
Some maids would value greatly -
A formal lover, who bowed and bent,
With many a high-flown compliment,
And cold demeanour stately,
"You've still," said she to her suitor stern,
"The 'prentice-work of your craft to learn,
If thus you come a-cooing.
I've time to lose and power to choose;
'T is not so much the gallant who woos,
As the gallant's WAY of wooing!"

A second lover came ambling by -
A timid lad with a frightened eye
And a colour mantling highly.
He muttered the errand on which he'd come,
Then only chuckled and bit his thumb,
And simpered, simpered shyly.
"No," said the maiden, "go your way;
You dare but think what a man would say,
Yet dare to come a-suing!
I've time to lose and power to choose;
'T is not so much the gallant who woos,
As the gallant's WAY of wooing!"

A third rode up at a startling pace -
A suitor poor, with a homely face -
No doubts appeared to bind him.
He kissed her lips and he pressed her waist,
And off he rode with the maiden, placed
On a pillion safe behind him.
And she heard the suitor bold confide
This golden hint to the priest who tied
The knot there's no undoing;
With pretty young maidens who can choose,
'T is not so much the gallant who woos,
As the gallant's WAY of wooing!"

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Submitted on May 13, 2011

Modified on April 09, 2023

1:42 min read
32

Quick analysis:

Scheme aabccbddeFFe gghiihjjeFFE kkhllhmmeFFE nnoppoaaefFE
Closest metre Iambic tetrameter
Characters 1,688
Words 337
Stanzas 4
Stanza Lengths 12, 12, 12, 12

William Schwenck Gilbert

Sir William Schwenck Gilbert was an English dramatist librettist poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan of which the most famous include HMS Pinafore The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre The Mikado These as well as most of their other Savoy operas continue to be performed regularly throughout the English-speaking world and beyond by opera companies repertory companies schools and community theatre groups Lines from these works have become part of the English language such as short sharp shock What never Well hardly ever and Let the punishment fit the crime Gilbert also wrote the Bab Ballads an extensive collection of light verse accompanied by his own comical drawings His creative output included over 75 plays and libretti numerous stories poems lyrics and various other comic and serious pieces His plays and realistic style of stage direction inspired other dramatists including Oscar Wilde and George Bernard Shaw According to The Cambridge History of English and American Literature Gilberts lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since Source - Wikipedia more…

All William Schwenck Gilbert poems | William Schwenck Gilbert Books

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