Peter the Wag



POLICEMAN PETER FORTH I drag
From his obscure retreat:
He was a merry genial wag,
Who loved a mad conceit.
If he were asked the time of day,
By country bumpkins green,
He not unfrequently would say,
"A quarter past thirteen."

If ever you by word of mouth
Inquired of MISTER FORTH
The way to somewhere in the South,
He always sent you North.
With little boys his beat along
He loved to stop and play;
He loved to send old ladies wrong,
And teach their feet to stray.

He would in frolic moments, when
Such mischief bent upon,
Take Bishops up as betting men -
Bid Ministers move on.
Then all the worthy boys he knew
He regularly licked,
And always collared people who
Had had their pockets picked.

He was not naturally bad,
Or viciously inclined,
But from his early youth he had
A waggish turn of mind.
The Men of London grimly scowled
With indignation wild;
The Men of London gruffly growled,
But PETER calmly smiled.

Against this minion of the Crown
The swelling murmurs grew -
From Camberwell to Kentish Town -
From Rotherhithe to Kew.
Still humoured he his wagsome turn,
And fed in various ways
The coward rage that dared to burn,
But did not dare to blaze.

Still, Retribution has her day,
Although her flight is slow:
ONE DAY THAT CRUSHER LOST HIS WAY
NEAR POLAND STREET, SOHO.
The haughty boy, too proud to ask,
To find his way resolved,
And in the tangle of his task
Got more and more involved.

The Men of London, overjoyed,
Came there to jeer their foe,
And flocking crowds completely cloyed
The mazes of Soho.
The news on telegraphic wires
Sped swiftly o'er the lea,
Excursion trains from distant shires
Brought myriads to see.

For weeks he trod his self-made beats
Through Newport- Gerrard- Bear-
Greek- Rupert- Frith- Dean- Poland- Streets,
And into Golden Square.
But all, alas! in vain, for when
He tried to learn the way
Of little boys or grown-up men,
They none of them would say.

Their eyes would flash - their teeth would grind -
Their lips would tightly curl -
They'd say, "Thy way thyself must find,
Thou misdirecting churl!"
And, similarly, also, when
He tried a foreign friend;
Italians answered, "IL BALEN" -
The French, "No comprehend."

The Russ would say with gleaming eye
" Sevastopol!" and groan.
The Greek said, [GREEK TEXT WHICH CANNOT
BE REPRODUCED]."
To wander thus for many a year
That Crusher never ceased -
The Men of London dropped a tear,
Their anger was appeased.

At length exploring gangs were sent
To find poor FORTH'S remains -
A handsome grant by Parliament
Was voted for their pains.
To seek the poor policeman out
Bold spirits volunteered,
And when they swore they'd solve the doubt,
The Men of London cheered.

And in a yard, dark, dank, and drear,
They found him, on the floor -
It leads from Richmond Buildings - near
The Royalty stage-door.
With brandy cold and brandy hot
They plied him, starved and wet,
And made him sergeant on the spot -
The Men of London's pet!

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Submitted on May 13, 2011

Modified on March 05, 2023

2:39 min read
45

Quick analysis:

Scheme ABABCDCD EFEFGCGC HIHIJKJK LMLMNONO PJPJQRQR CSCSTUTU XSBSXVXV WXWXHCHC MXMSHYDY XXZX1 XXX X2 X2 3 4 3 4 X5 1 5 Z6 Z6
Closest metre Iambic tetrameter
Characters 2,821
Words 532
Stanzas 12
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8

William Schwenck Gilbert

Sir William Schwenck Gilbert was an English dramatist librettist poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan of which the most famous include HMS Pinafore The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre The Mikado These as well as most of their other Savoy operas continue to be performed regularly throughout the English-speaking world and beyond by opera companies repertory companies schools and community theatre groups Lines from these works have become part of the English language such as short sharp shock What never Well hardly ever and Let the punishment fit the crime Gilbert also wrote the Bab Ballads an extensive collection of light verse accompanied by his own comical drawings His creative output included over 75 plays and libretti numerous stories poems lyrics and various other comic and serious pieces His plays and realistic style of stage direction inspired other dramatists including Oscar Wilde and George Bernard Shaw According to The Cambridge History of English and American Literature Gilberts lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since Source - Wikipedia more…

All William Schwenck Gilbert poems | William Schwenck Gilbert Books

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