Ferdinando and Elvira



PART I.

At a pleasant evening party I had taken down to supper
One whom I will call ELVIRA, and we talked of love and TUPPER,

MR. TUPPER and the Poets, very lightly with them dealing,
For I've always been distinguished for a strong poetic feeling.

Then we let off paper crackers, each of which contained a motto,
And she listened while I read them, till her mother told her not
to.

Then she whispered, "To the ball-room we had better, dear, be
walking;
If we stop down here much longer, really people will be talking."

There were noblemen in coronets, and military cousins,
There were captains by the hundred, there were baronets by dozens.

Yet she heeded not their offers, but dismissed them with a
blessing,
Then she let down all her back hair, which had taken long in
dressing.

Then she had convulsive sobbings in her agitated throttle,
Then she wiped her pretty eyes and smelt her pretty smelling-
bottle.

So I whispered,  "Dear ELVIRA, say, - what can the matter be with
you?
Does anything you've eaten, darling POPSY, disagree with you?"

But spite of all I said, her sobs grew more and more distressing,
And she tore her pretty back hair, which had taken long in
dressing.

Then she gazed upon the carpet, at the ceiling, then above me,
And she whispered, "FERDINANDO, do you really, REALLY love me?"

"Love you?" said I, then I sighed, and then I gazed upon her
sweetly -
For I think I do this sort of thing particularly neatly.

"Send me to the Arctic regions, or illimitable azure,
On a scientific goose-chase, with my COXWELL or my GLAISHER!

"Tell me whither I may hie me - tell me, dear one, that I may know
-
Is it up the highest Andes? down a horrible volcano?"

But she said, "It isn't polar bears, or hot volcanic grottoes:
Only find out who it is that writes those lovely cracker mottoes!"

PART II.

"Tell me, HENRY WADSWORTH, ALFRED POET CLOSE, or MISTER TUPPER,
Do you write the bon bon mottoes my ELVIRA pulls at supper?"

But HENRY WADSWORTH smiled, and said he had not had that honour;
And ALFRED, too, disclaimed the words that told so much upon her.

"MISTER MARTIN TUPPER, POET CLOSE, I beg of you inform us;"
But my question seemed to throw them both into a rage enormous.

MISTER CLOSE expressed a wish that he could only get anigh to me;
And MISTER MARTIN TUPPER sent the following reply to me:

"A fool is bent upon a twig, but wise men dread a bandit," -
Which I know was very clever; but I didn't understand it.

Seven weary years I wandered - Patagonia, China, Norway,
Till at last I sank exhausted at a pastrycook his doorway.

There were fuchsias and geraniums, and daffodils and myrtle,
So I entered, and I ordered half a basin of mock turtle.

He was plump and he was chubby, he was smooth and he was rosy,
And his little wife was pretty and particularly cosy.

And he chirped and sang, and skipped about, and laughed with
laughter hearty -
He was wonderfully active for so very stout a party.

And I said, "O gentle pieman, why so very, very merry?
Is it purity of conscience, or your one-and-seven sherry?"

But he answered, "I'm so happy - no profession could be dearer -
If I am not humming 'Tra! la! la!' I'm singing 'Tirer, lirer!'

"First I go and make the patties, and the puddings, and the
jellies,
Then I make a sugar bird-cage, which upon a table swell is;

"Then I polish all the silver, which a supper-table lacquers;
Then I write the pretty mottoes which you find inside the
crackers." -

"Found at last!" I madly shouted.  "Gentle pieman, you astound me!"
Then I waved the turtle soup enthusiastically round me.

And I shouted and I danced until he'd quite a crowd around him -
And I rushed away exclaiming, "I have found him!  I have found
him!"

And I heard the gentle pieman in the road behind me trilling,
"'Tira, lira!' stop him, stop him!  'Tra! la! la!' the soup's a
shilling!"

But until I reached ELVIRA'S home, I never, never waited,
And ELVIRA to her FERDINAND'S irrevocably mated!

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Submitted on May 13, 2011

Modified on March 05, 2023

3:38 min read
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Quick analysis:

Scheme aa bb cxd ebb ff gbhB ibi jdd bhB ee aee aa c c ff aa aa kk ee xx ll ii ee jee ee aa gxx fgx ee mxm bgb xx
Closest metre Iambic heptameter
Characters 3,865
Words 738
Stanzas 31
Stanza Lengths 2, 2, 3, 3, 2, 4, 3, 3, 3, 2, 3, 2, 3, 2, 2, 2, 2, 2, 2, 2, 2, 2, 3, 2, 2, 3, 3, 2, 3, 3, 2

William Schwenck Gilbert

Sir William Schwenck Gilbert was an English dramatist librettist poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan of which the most famous include HMS Pinafore The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre The Mikado These as well as most of their other Savoy operas continue to be performed regularly throughout the English-speaking world and beyond by opera companies repertory companies schools and community theatre groups Lines from these works have become part of the English language such as short sharp shock What never Well hardly ever and Let the punishment fit the crime Gilbert also wrote the Bab Ballads an extensive collection of light verse accompanied by his own comical drawings His creative output included over 75 plays and libretti numerous stories poems lyrics and various other comic and serious pieces His plays and realistic style of stage direction inspired other dramatists including Oscar Wilde and George Bernard Shaw According to The Cambridge History of English and American Literature Gilberts lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since Source - Wikipedia more…

All William Schwenck Gilbert poems | William Schwenck Gilbert Books

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